At age 5 Ruth Theodore was told that she would never physically be able to play guitar and following a sledging accident, aged 9, that left her unable to speak, singing and playing the guitar were unexpected career choices. Yet by the age of 14 Ruth was earning money as a singer and guitarist, busking in doorways on detuned guitars. Remaining true to her own unique sound and signature guitar style Ruth has gone on to perform her songs and tour alongside legendary artists such as Ani Difranco, Dar Williams, Jane Siberry, Jeff Lang and Hamell On Trial, for packed out venues including The London Palladium, Bush Hall, The Union Chapel, The Borderline and Glastonbury Festival. Ruth’s flair for off kilter arrangement and her active interest in the whole process of record making has led her to form collaborations with highly respected international producers and musicians, and release four critically acclaimed solo records.
Moving to London in 2006 in search of music, Ruth slept (secretly) beneath a workbench in an artist’s workshop, which years later, she and a team of musicians transformed into a recording studio. It was here that she recorded and released White Holes Of Mole Hills (2010) and Dear Lamp Love Moth (2013), receiving critical acclaim for both records from the UK media, with reviews running in The Guardian & The Observer, whilst also achieving national radio play on BBC Radio3 and BBC 6 music, alongside rave reviews in music magazines Mojo, Q, fRoots and more.
In 2007 once the workbench had become a drum booth Ruth moved on to a tiny narrow boat with no heating or electricity on the River Lea in East London. Her home for the last 10 years. The river and the land on which she moors have been a great source of inspiration. Keen to continue creating music on the water Ruth single-handedly converted a larger boat into a studio and rehearsal space which has become the base for her band, her own label River Rat Records and the venue for the ‘live bootleg’ EP titled ‘Earth to Shovel’ 2014.
Ruth’s fourth and arguably her most popular album ‘Cactacus’ was born from a collaboration with US producer and bassist Todd Sickafoose. Todd Produced Anais Mitchell’s widely acclaimed ‘Hadestown’ and not coincidentally is bassist for American Folk legend Ani DiFranco with whom Ruth has performed at London’s Union Chapel in 2012, and appearing a special guest later in 2017 at The London Palladium.
The critically acclaimed “Cactacus” also features the talents of drummer Mathias Kunzli (Regina Spektor) and organist Rob Burger (Tom Waits) amongst others. Released through Aveline Records, ‘Cactacus’ was played on Radio 2, BBC London, BBC Radio Wales, BBC6 music and received more rave reviews from The Guardian, Mojo, Rock n Reel, fRoots and others.
Un fenomeno musicale come ne appaiono di rado, acrobata di voce e mani, e una scrittura lontana da ogni convenzione musicale, Ruth Theodore è un’artista cult, da vedere, e rivedere ancora. Il suo quarto album registrato negli Stati Uniti da Todd Sickafoose si muove quasi incautamente tra passaggi politici, chitarre battenti, e pezzi di piano incantati che evocano la libertà compositiva di un giovane Keith Jarrett. Ruth non perde occasione di capovolgere ogni aspettativa musicale, il suo naturale lirismo è quello di un abile scrittore che si diverte a stravolgere l’idea del cantautorato contemporaneo. E si ha l’impressione che questa artista britannica, così incredibilmente unica, abbia appena iniziato a farci vedere di cosa è capace.